open source audio identification
MusicBrainz recording
I Wanna Be Your Man
The Beatles
2:31
2540c759-40f7-4a0e-aeb5-5b0b019bf492
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
104
linking them to it
Fingerprints
23
distinct audio files
Duration
2:25–2:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e1fcccac-b154-4375-bbb5-bb2d9c491104
Also linked to
I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles and
|
4 | 2:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
0a7eb814-ae4f-4f6c-948b-d29b449b374c
Also linked to
Nowhere Man by The Beatles, I Wanna Be Your Man by The Beatles and
|
1 | 2:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
ce9e93c5-ab81-45b2-8b69-7e98a948486d
Also linked to
Nowhere Man by The Beatles, Nowhere Man by Rab Howat and
|
4 | 2:34–2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
5bdad5b6-d4b6-4bfe-8489-b3fb8b986f75
Also linked to
I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles and
|
3 | 2:30–2:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
e6a040bf-21b0-48aa-9dea-d3f486fd48e3
Also linked to
I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles
|
3 | 2:31–2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
16fbe7d5-5134-42b7-ba96-41052d569afd
Also linked to
Your Mother Should Know by The Beatles, I Wanna Be Your Man (BBC From Us to You) by The Beatles and
|
3 | 2:32–2:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 68131797-8d3a-4572-9e59-6786cf2f18f9 | 1 | 2:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| H | c06a24ba-c20d-4077-90a6-e816f2153e1b | 1 | 2:25 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| I | 51e3511e-c155-483b-a26d-4ef80aa71822 | 2 | 2:31–2:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| J | dd82c32c-6ff3-4e6c-816c-15cd8f57d19b | 1 | 2:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 |
| B | 0.00 | — | 0.00 | 0.00 | 0.51 | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.50 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.51 | 0.00 | 0.00 | — | 0.00 | 0.71 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.68 | 0.00 | 0.00 | 0.71 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |