open source audio identification
MusicBrainz recording
The World That She Sees
Trans‐Siberian Orchestra
5:59
1998 original length version
ff640075-ede0-48a1-ac2a-9083c0ff53c9
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
291
linking them to it
Fingerprints
38
distinct audio files
Duration
4:23–6:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
aec7ffa3-a7aa-48b8-9292-29f61759bac4
Also linked to
The World That She Sees by Trans‐Siberian Orchestra, Midnight Christmas Eve by Trans‐Siberian Orchestra
|
6 | 5:57–6:01 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | dad31e8b-6e36-4eb8-a0bd-3a90953e7dab | 1 | 5:59 | |||||||||||||||||||||||
| C |
259c7d05-cc63-4ea8-89d7-f369704c5be1
Also linked to
The World That He Sees by Trans‐Siberian Orchestra, The World That He Sees by Trans‐Siberian Orchestra and
|
7 | 4:43–4:45 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c6e01934-5c02-4a69-8541-99ec98099ea5
Also linked to
Typical Situation by Dave Matthews Band
|
9 | 5:58–6:00 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
e5516a84-e572-4eca-ac66-50d3c07fff51
Also linked to
Rhyme & Reason by Dave Matthews Band
|
4 | 5:58–6:00 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 3538203b-f08c-493d-b42f-5bcaa9862f60 | 1 | 6:11 | |||||||||||||||||||||||
| G | c2313c61-ebb7-4477-b62e-17191bb36fe2 | 1 | 5:58 | |||||||||||||||||||||||
| H | 756f20f7-cf9d-4209-a9c2-43b07ca9e8d1 | 1 | 5:07 | |||||||||||||||||||||||
| I |
2c9ec9e0-f2a5-41d8-940a-60becf1a2adf
Also linked to
Boughs of Holly by Trans‐Siberian Orchestra, Christmas Canon by Trans‐Siberian Orchestra
|
2 | 4:23–4:25 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J |
a32383dd-b2d9-465f-bd8e-d6b884acb444
Also linked to
They’re Not Here, They’re Not Coming by Don Henley
|
5 | 5:56–6:01 | |||||||||||||||||||||||
|
Recordings linked to J
|
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| K | d286ec03-839e-40a7-a60c-6a0fba469b5b | 1 | 6:25 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.98 | 0.00 | 0.00 | 0.00 | 0.00 | 0.26 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.20 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.98 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.26 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.20 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.26 | 0.00 | 0.00 | 0.00 | 0.00 | 0.26 | 0.00 | 0.00 | 0.00 | 0.00 | — |