open source audio identification
MusicBrainz recording
She’s Kinda Hot
5 Seconds of Summer
3:36
ff4b695c-77ac-4182-913b-d4aaf7f7bb4d
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
487
linking them to it
Fingerprints
23
distinct audio files
Duration
3:13–4:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
86459432-b890-4f64-af03-1b3949338898
Also linked to
She's Kinda Hot by 5 Seconds of Summer
|
2 | 3:38–3:40 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
056d6557-f576-41fe-b6d0-da807f9f2b19
Also linked to
She’s Kinda Hot (alternative version) by 5 Seconds of Summer
|
3 | 3:35–3:37 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
176720c9-16c0-4ee2-8c3d-0411ef5e2c24
Also linked to
I Feel Like by Freemasons feat. Amanda Wilson
|
3 | 4:05 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a2633697-1b36-4d5f-89cd-2136de04446f
Also linked to
She Looks So Perfect by 5 Seconds of Summer, She Looks So Perfect by 5 Seconds of Summer
|
3 | 3:34–3:38 | |||||||||||||||||||||||
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Recordings linked to D
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| E |
00fff88c-2015-468b-8adf-b5e66bad96f6
Also linked to
She's Kinda Hot by 5 Seconds of Summer, I Love This City by Kane
|
6 | 3:13–3:15 | |||||||||||||||||||||||
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Recordings linked to E
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| F |
2efcb4ea-33ba-4e4d-a5a5-06e6dc20d5ba
Also linked to
So wie du bist by MoTrip feat. LARY, So wie du bist by MoTrip feat. LARY and
|
3 | 3:37 | |||||||||||||||||||||||
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Recordings linked to F
|
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| G | 5d8f7504-5d44-4fb2-a305-9ea7ac6e45c5 | 1 | 3:36 | |||||||||||||||||||||||
| H | e69ae2e9-6950-44b2-8605-95b5820421b8 | 1 | 3:35 | |||||||||||||||||||||||
| I |
2a709f87-5d6d-49ce-bb7c-7c72cbc1f8f5
Also linked to
She's Kinda Hot by 5 Seconds of Summer
|
1 | 3:51 | |||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.83 | 0.00 | 0.00 | 0.00 | 0.87 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.83 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.76 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.87 | 0.00 | 0.00 | 0.00 | 0.76 | 0.00 | 0.00 | 0.00 | — |