open source audio identification
MusicBrainz recording
Route 66
Nat King Cole
3:02
fc3eac98-b1c0-43a6-88c3-7721a66bc13e
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
38
linking them to it
Fingerprints
105
distinct audio files
Duration
2:58–3:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8065c93a-d209-4d34-b022-78aa7fcf50bb
Also linked to
(Get Your Kicks On) Route 66 by The King Cole Trio, Route 66 by Nat King Cole and
|
17 | 2:59–3:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
1d3a17fc-c34b-4b87-8fc5-8fb441d929de
Also linked to
(Get Your Kicks On) Route 66 by The King Cole Trio, (Get Your Kicks On) Route 66 by Nat King Cole and
|
12 | 3:01–3:06 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
dee24480-fa60-405d-8193-59f1cf75f8a2
Also linked to
(Get Your Kicks On) Route 66 by The King Cole Trio, Get Your Kicks on Route 66! by Nat King Cole and His Trio
|
8 | 3:02–3:08 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
9c8d8650-9d7a-4342-b27b-39a2d3c07576
Also linked to
(Get Your Kicks On) Route 66 by The King Cole Trio, (Get Your Kicks On) Route 66 by Nat King Cole and
|
53 | 2:58–3:04 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 61401f22-3545-4071-bcbc-5de069b06c6f | 1 | 3:15 | |||||||||||||||||||||||||||||||||||||||||||
| F |
ae5d1b54-e81c-4117-9fe1-0ece59869bbf
Also linked to
(Get Your Kicks On) Route 66 by The King Cole Trio, Get Your Kicks on Route 66 by Nat King Cole and
|
14 | 3:00–3:06 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.