open source audio identification
MusicBrainz recording
Mr. Tambourine Man
Bob Dylan
5:27
fbf2efba-9785-47eb-b157-ad6f09e0370c
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
44
linking them to it
Fingerprints
61
distinct audio files
Duration
5:19–5:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a3d5d19e-958e-4a7b-8952-403d1b2a6143
Also linked to
Mr. Tambourine Man by Bob Dylan, Mr. Tambourine Man (5.1 mix) by Bob Dylan and
|
3 | 5:24–5:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
f98f6b5f-3a20-41cd-b2f6-a818358157ca
Also linked to
Mr. Tambourine Man by Bob Dylan, Mr. Tambourine Man by Bob Dylan and
|
12 | 5:23–5:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
346b0785-6316-4c34-ad64-f2511d28b605
Also linked to
Mr. Tambourine Man by Bob Dylan, Mr. Tambourine Man by Bob Dylan and
|
13 | 5:19–5:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
e2c82776-0782-46ca-a795-e360cf4870da
Also linked to
Mr. Tambourine Man by Bob Dylan
|
3 | 5:26–5:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
b65e4ca3-385c-44ab-9a77-f085a4217628
Also linked to
Mr. Tambourine Man by Bob Dylan, Mr. Tambourine Man by Bob Dylan and
|
30 | 5:26–5:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.