open source audio identification
MusicBrainz recording
After All the Good Is Gone
Conway Twitty
2:58
fbe3b4a8-370f-4eae-9ecb-104a6b1b7f65
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
191
linking them to it
Fingerprints
98
distinct audio files
Duration
2:32–3:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c97fc173-5a94-4237-acd0-f95fe43f98c9
Also linked to
After All the Good Is Gone by Conway Twitty, After All the Good Is Gone by Conway Twitty and
|
12 | 2:56–3:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
88c915bb-5274-4649-be1c-e5a45c7767ef
Also linked to
After All the Good Is Gone by Conway Twitty
|
2 | 2:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
a5a48eea-a1e8-409d-b8ce-e67ff4234279
Also linked to
After All the Good Is Gone by Conway Twitty, After All the Good Is Gone by Conway Twitty and
|
14 | 2:54–2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 1fcf8564-b6fe-48bf-b259-db7cdf06cd2f | 1 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
52bcdbaf-3180-477c-aec6-dd409ce59916
Also linked to
After the Fire Is Gone by Conway Twitty & Loretta Lynn, After the Fire Is Gone by Conway Twitty and
|
13 | 2:36–2:41 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
29191b08-5271-4850-9f31-5b2b6c2a1d16
Also linked to
Gentle on My Mind by Glen Campbell
|
11 | 2:53–3:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
259105c9-523e-4423-a820-780403112a5f
Also linked to
After the Fire Is Gone by Conway Twitty & Loretta Lynn, After the Fire Is Gone by Loretta Lynn and
|
28 | 2:37–2:42 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
43355dd7-1100-4e75-9f52-3c74708b6980
Also linked to
To See an Angel Cry by Conway Twitty, To See My Angel Cry by Conway Twitty and
|
13 | 2:32–2:38 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 118661f6-05a0-488b-9357-e469db8e520f | 1 | 3:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| J | 92759cb9-a59a-4dee-8412-15e9718dddf3 | 1 | 2:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| K | 2aa59f64-57e5-41b3-9874-cdc582095a5d | 1 | 2:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| L | 40d82e1d-5c83-4cdd-83f8-f8833437c0cd | 1 | 3:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.66 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.82 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |