MusicBrainz recording
Just to Be Close to You
Commodores
3:35
fbd27ae9-18a0-4aa4-9174-9509d8f3bfb2
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
892
linking them to it
Fingerprints
30
distinct audio files
Duration
3:21–5:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
140d1439-c3bd-4d6a-a12c-608921e12e2f
Also linked to
Just to Be Close to You by Commodores, Just to Be Close to You by Commodores
|
4 | 3:35–3:36 | |||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||
| B |
70d02698-7b87-4276-9a38-c63677dd1315
Also linked to
Just to Be Close to You (single version with vocal intro) by Commodores, Just to Be Close to You by Commodores and
|
7 | 3:28–3:33 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C | 6d3b072e-c608-4e83-96fd-d39f1a5beeff | 1 | 3:24 | |||||||||||||||||||||||
| D |
a008debf-eff5-45d2-b6f2-0588003a865c
Also linked to
Just to Be Close to You by Commodores
|
4 | 3:21–3:25 | |||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||
| E | 6f3636f7-5f13-435f-862f-a8b6abf2470d | 3 | 3:38–3:43 | |||||||||||||||||||||||
| F |
425a0414-73d3-4700-99a8-9ba5ce4ec7e8
Also linked to
Just to Be Close to You by Commodores
|
5 | 3:25–3:28 | |||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||
| G | 3204f451-7699-4dc1-bd00-aee48e91efac | 1 | 5:14 | |||||||||||||||||||||||
| H |
336153f1-09ae-4a4b-a0c5-b5b0e7f5f2bf
Also linked to
Stuck on You by Lionel Richie, Stuck on You by Lionel Richie
|
3 | 3:25–3:32 | |||||||||||||||||||||||
|
Recordings linked to H
|
||||||||||||||||||||||||||
| I | 7befddfb-d84c-4b5a-95ae-9668ce13c8b6 | 2 | 5:06–5:07 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.56 | 0.56 | 0.19 | 0.56 | 0.81 | 0.56 | 0.00 | 0.00 |
| B | 0.56 | — | 0.92 | 0.00 | 0.94 | 0.61 | 0.92 | 0.00 | 0.00 |
| C | 0.56 | 0.92 | — | 0.00 | 0.93 | 0.60 | 0.97 | 0.00 | 0.00 |
| D | 0.19 | 0.00 | 0.00 | — | 0.00 | 0.18 | 0.00 | 0.00 | 0.00 |
| E | 0.56 | 0.94 | 0.93 | 0.00 | — | 0.60 | 0.92 | 0.00 | 0.00 |
| F | 0.81 | 0.61 | 0.60 | 0.18 | 0.60 | — | 0.61 | 0.00 | 0.00 |
| G | 0.56 | 0.92 | 0.97 | 0.00 | 0.92 | 0.61 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |