open source audio identification
MusicBrainz recording
Miss Otis Regrets (She’s Unable to Lunch Today)
Ella Fitzgerald
3:03
fa49a91f-afb3-4f48-bf8a-9c0126afe1e2
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
1,288
linking them to it
Fingerprints
35
distinct audio files
Duration
2:49–3:07
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8133e5e8-fd01-4a16-9ee2-b88f29e62966
Also linked to
Miss Otis Regrets by Ella Fitzgerald, Miss Otis Regrets by Ella Fitzgerald and
|
21 | 3:01–3:07 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
9dc3064f-dae0-4a54-8e6c-fac06c9e7d2a
Also linked to
Miss Otis Regrets by Ella Fitzgerald
|
2 | 3:03 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
c2a39c4f-3ba7-4018-a950-7bc83ba05a33
Also linked to
Miss Otis Regrets by Ella Fitzgerald
|
2 | 3:00 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D | 70378206-9ec5-4073-b5c6-14dc82c7ddb9 | 1 | 3:03 | ||||||||||||||||||||||||||||||||||||||
| E | c4a11cc7-0251-4571-a15d-51c3d8ea7f0b | 1 | 3:02 | ||||||||||||||||||||||||||||||||||||||
| F |
130387a7-2bd4-44d4-82d1-eb1ffb37f24e
Also linked to
Day In‐Day Out by Ella Fitzgerald, Day Out by Ella Fitzgerald
|
6 | 2:49–2:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
| G | 02d0d4b8-5bf7-42c5-91b7-0666d0443978 | 1 | 3:03 | ||||||||||||||||||||||||||||||||||||||
| H | 3c0da8b1-ee38-4a39-8a35-14afd6a49a5e | 1 | 3:01 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.82 | 0.00 | 0.78 | 0.53 | 0.00 | 0.00 | 0.50 |
| B | 0.82 | — | 0.00 | 0.74 | 0.73 | 0.00 | 0.41 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.78 | 0.74 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.53 | 0.73 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.41 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |