open source audio identification
MusicBrainz recording
Concerto no. 1 in E major, RV 269, “The Four Seasons: Spring”: I. Allegro
Béla Bánfalvi, Budapest Strings, Károly Botvay
3:37
fa44ddc3-3fe6-4bf3-8a50-3c3e8e7ea26d
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
399
linking them to it
Fingerprints
44
distinct audio files
Duration
3:32–3:41
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3ee959a8-2742-44fb-9efd-cbbbc8a49d8e
Also linked to
Die vier Jahreszeiten: Concerto Nr. 1 "Der Frühling": I. Allegro by [unknown], Vier Jahreszeiten: Der Frühling. Allegro by Budapest Strings and
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18 | 3:33–3:40 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
d60cb2ff-e25c-49b3-87d8-cfd5c84f1e42
Also linked to
Concerto 1 E (Spring) / Allegro by Antonio Vivaldi, Turkish March by Evelyne Dubourg and
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2 | 3:37–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
16b14a94-b800-4d06-a1b7-567c4df2584a
Also linked to
The Four Seasons - Spring 'Allegro' by [unknown], Spring: Allegro by Antonio Vivaldi and
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5 | 3:34–3:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
e2d6804e-ea66-4521-87f7-7928af62901a
Also linked to
Concerto in E major, Op. 8 No. 1, RV 269 "Spring": I. Allegro by José‐Luis García, Anthony Halstead, English Chamber Orchestra, Leonard Slatkin, Le Printemps des "Quatre Saisons" by [unknown] and
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19 | 3:32–3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.