open source audio identification
MusicBrainz recording
Smooth (radio edit)
Santana feat. Rob Thomas
3:55
fa3ae070-23c6-4cee-8e39-59a756fcd92d
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
43
linking them to it
Fingerprints
32
distinct audio files
Duration
3:51–4:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6290070d-14f7-429c-8931-932a58616f7c
Also linked to
Smooth by Santana feat. Rob Thomas, Maria Maria (Pumpin’ Dolls radio edit) by Santana feat. The Product G&B and
|
14 | 3:59–4:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
2fc2df9f-d22d-4c67-bd69-857f5062a6b5
Also linked to
Smooth by Santana feat. Rob Thomas
|
4 | 4:07–4:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | 2c9f8b17-836a-468e-b12a-c7f0e5e49830 | 5 | 4:16–4:22 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | c5402558-ba66-4951-9ed1-7478f0bbc40b | 7 | 3:51–3:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
8e0324af-b52f-4cea-9805-c8cb0f5d1346
Also linked to
Smooth (dance radio edit) by Santana, Smooth (dance radio mix) by Santana feat. Rob Thomas and
|
2 | 3:53–3:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.