open source audio identification
MusicBrainz recording
9 to 5
Dolly Parton
2:45
f989fa05-7e2b-4e88-8a95-b5d68480b539
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
3,149
linking them to it
Fingerprints
162
distinct audio files
Duration
2:32–16:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
499f27d8-509f-48a7-ad06-8d539234871a
Also linked to
I Just Don’t Understand by Willie Nelson, 9 To 5 by Dolly Parton and
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62 | 2:41–2:48 | |||||||||||||||||||||||
|
Recordings linked to A
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| B | 644eff62-a0f7-43c6-9a5b-3db7410464b8 | 23 | 2:41–2:48 | |||||||||||||||||||||||
|
Recordings linked to B
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| C |
e3932be9-d635-485a-8aea-d452013ad7af
Also linked to
9 to 5 by Dolly Parton
|
10 | 2:46–2:50 | |||||||||||||||||||||||
|
Recordings linked to C
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| D |
e42dce55-1b88-4301-97f1-2661ae6a4d4d
Also linked to
9 to 5 by Dolly Parton, 9 to 5 (karaoke mix 2009) by Dolly Parton
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21 | 2:40–2:47 | |||||||||||||||||||||||
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Recordings linked to D
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| E |
ef1f0a70-0047-42a1-93ee-2019afb1f85f
Also linked to
9 to 5 by Dolly Parton
|
12 | 2:55–3:02 | |||||||||||||||||||||||
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Recordings linked to E
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| F | 27a91310-67d1-41f7-8f65-2caf4c274da5 | 16 | 2:45–2:52 | |||||||||||||||||||||||
| G | 7bfe5b3f-1d43-47e1-ae7d-74c0395e1154 | 9 | 2:38–2:49 | |||||||||||||||||||||||
| H |
60f329e6-c049-4311-92a3-0bdc68b5ca22
Also linked to
9 to 5 by Dolly Parton
|
1 | 2:50 | |||||||||||||||||||||||
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Recordings linked to H
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| I | 06b3f75d-03e5-4db2-be48-734523a321fc | 6 | 2:32–2:39 | |||||||||||||||||||||||
| J | c730c370-b0b7-4457-9377-aff8d457d3be | 1 | 2:46 | |||||||||||||||||||||||
| K | f57a9f29-d79a-49c1-a201-eb3c52e9de7c | 1 | 16:02 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.50 | 0.00 | 0.59 | 0.53 | 0.79 | 0.85 | 0.80 | 0.53 | 0.32 | 0.00 |
| B | 0.50 | — | 0.96 | 0.00 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.96 | — | 0.00 | 0.73 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 |
| D | 0.59 | 0.00 | 0.00 | — | 0.60 | 0.63 | 0.76 | 0.64 | 0.65 | 0.54 | 0.00 |
| E | 0.53 | 0.71 | 0.73 | 0.60 | — | 0.00 | 0.00 | 0.50 | 0.00 | 0.00 | 0.00 |
| F | 0.79 | 0.00 | 0.00 | 0.63 | 0.00 | — | 0.67 | 0.86 | 0.55 | 0.00 | 0.00 |
| G | 0.85 | 0.00 | 0.00 | 0.76 | 0.00 | 0.67 | — | 0.72 | 0.00 | 0.00 | 0.00 |
| H | 0.80 | 0.00 | 0.49 | 0.64 | 0.50 | 0.86 | 0.72 | — | 0.55 | 0.43 | 0.00 |
| I | 0.53 | 0.00 | 0.00 | 0.65 | 0.00 | 0.55 | 0.00 | 0.55 | — | 0.75 | 0.00 |
| J | 0.32 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.43 | 0.75 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |