MusicBrainz recording
Unreal
Ill Niño
3:33
f9619aea-389a-49cf-80e2-ebd75a53cca1
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
501
linking them to it
Fingerprints
25
distinct audio files
Duration
1:50–3:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
36a9754d-bfa9-41fd-be3c-8ccb10105eef
Also linked to
Liar by Ill Niño
|
3 | 3:33–3:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
d6a1ebc2-b150-4358-a1f7-76259c9b74a6
Also linked to
Get Ur Freak On by Missy Elliott, Get Ur Freak On (radio edit) by Missy “Misdemeanor” Elliott and
|
12 | 3:25–3:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
609881bd-6c8d-4563-ae5d-6d7755d87c52
Also linked to
Fallen by Ill Niño
|
1 | 1:50 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
4d3283f8-a46f-4ded-8a53-8f485d38da8a
Also linked to
Unreal (Reborn mix) by Ill Niño, My Bad by Khalid
|
2 | 3:33–3:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | fa65200f-c353-4ac2-bca4-330a3487a6c7 | 1 | 3:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | eeff69bb-2d53-40c3-9a03-f4683437e575 | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | e265e2f0-43fc-4933-9768-be7e76a3307d | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
f839585e-bd3a-419e-85af-145b6c56c04e
Also linked to
Revolution/Revolución by Ill Niño
|
3 | 3:30–3:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 608025a9-3a6a-433f-a54d-215dde2f05a3 | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.89 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |