open source audio identification
MusicBrainz recording
For the Good Times
Ray Price
3:50
f8e99a97-c0a1-4847-b731-e2ceaf1c2f93
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
317
linking them to it
Fingerprints
77
distinct audio files
Duration
3:37–3:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a8f1d787-e3dc-434e-bc4e-c3eade6d26e8
Also linked to
For the Good Times by Ray Price, For the Good Times by Ray Price and
|
30 | 3:47–3:54 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
2b1a712a-ed53-4f72-9a26-02689b33ed74
Also linked to
For the Good Times by Ray Price, For the Good Times by Ray Price and
|
15 | 3:47–3:53 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3fb6063a-3bb8-471b-8e95-7992699cd825
Also linked to
For the Good Times by Ray Price, For the Good Times by Ray Price and
|
12 | 3:45–3:50 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
b5fcac7a-0d01-45cf-91f8-63a85f6ed0d6
Also linked to
For the Good Times by Ray Price, For the Good Times by Ray Price
|
2 | 3:50–3:51 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 7f0517ec-cfee-4077-8753-e6e7733708f9 | 1 | 3:37 | |||||||||||||||||||||||||||||||||
| F | 6cb6462c-d9c8-48db-9d57-970a2f96a9a4 | 1 | 3:48 | |||||||||||||||||||||||||||||||||
| G | 48704d76-06c4-4236-a31f-dee56cccabc6 | 1 | 3:46 | |||||||||||||||||||||||||||||||||
| H |
bd04ce84-4866-44da-a944-2faa747cf30d
Also linked to
For the Good Times by Engelbert Humperdinck, After the Lovin’ by Engelbert Humperdinck
|
2 | 3:47 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I | a35262e3-6738-4fdf-920e-49c7eb28ce39 | 1 | 3:50 | |||||||||||||||||||||||||||||||||
| J | 02ee0b2f-bda1-4316-9b7e-789571a2055b | 12 | 3:40–3:47 | |||||||||||||||||||||||||||||||||
|
Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.76 | 0.00 | 0.00 | 0.98 | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 |
| B | 0.76 | — | 0.00 | 0.00 | 0.75 | 0.00 | 0.49 | 0.00 | 0.60 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.98 | 0.75 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.42 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.60 | 0.60 | 0.00 | 0.00 | 0.60 | 0.00 | 0.42 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |