open source audio identification
MusicBrainz recording
Hell or Hallelujah
KISS
4:07
f7edc0c6-2c2e-4add-a0d2-8dbe47a74818
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
620
linking them to it
Fingerprints
20
distinct audio files
Duration
3:59–4:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | f9f64af5-04de-42cb-8f41-0a299296ae25 | 7 | 4:05–4:09 | |||||||||||||||||||||||||||||||||||||||||||
| B |
968f4cd9-88fb-44d4-ad24-117e00981f95
Also linked to
Rock and Roll All Nite by KISS, Rock and Roll All Nite by KISS and
|
3 | 4:07–4:08 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 13e61191-4736-4a73-9e2e-13d4ecedb7eb | 2 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||
| D | ffc41b9d-a1f1-4c02-a0a4-b827fd9a5fe4 | 1 | 4:07 | |||||||||||||||||||||||||||||||||||||||||||
| E | 12d3a3d0-86d5-49ab-96ae-b8f828885a27 | 1 | 4:02 | |||||||||||||||||||||||||||||||||||||||||||
| F | 3d1ddc52-0143-468b-84af-ac5478b44686 | 1 | 4:33 | |||||||||||||||||||||||||||||||||||||||||||
| G |
55e94129-34a4-484e-946f-2636a52adc9a
Also linked to
This Time’s for Real by Ill Niño
|
1 | 4:07 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 9201cdd1-8970-442f-881e-1643fa85a6b6 | 1 | 4:12 | |||||||||||||||||||||||||||||||||||||||||||
| I | 33bb86d3-b523-4452-a1a8-9aa4980d47b7 | 1 | 4:11 | |||||||||||||||||||||||||||||||||||||||||||
| J | 1fd69293-790b-419b-830f-678504415674 | 1 | 4:07 | |||||||||||||||||||||||||||||||||||||||||||
| K | c9b1120d-fded-4c21-9677-1bc4518e192a | 1 | 4:04 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.77 | 0.00 | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.77 | 0.00 | — | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.65 | 0.00 |
| E | 0.57 | 0.00 | 0.55 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 1.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |