open source audio identification
MusicBrainz recording
Song to the Sea (DJ Antoine vs. Mad Mark radio re-construction)
DJ Antoine vs. Mad Mark feat. James Gruntz
4:28
f6df0332-6334-4a7a-b9bf-bd8bf8390169
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
23
linking them to it
Fingerprints
30
distinct audio files
Duration
3:57–4:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 287ee432-0a41-451c-b2d3-71c2b254e4a0 | 2 | 4:27–4:28 | |||||||||||||||||||||||
| B |
8fd54c78-d070-4d1a-bbd9-b13a03d22cc7
Also linked to
Welcome to St. Tropez by DJ Antoine vs. Timati feat. Kalenna
|
3 | 4:23–4:26 | |||||||||||||||||||||||
|
Recordings linked to B
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| C |
e588c1f6-b69e-40bf-a5dd-f8aa6e50a027
Also linked to
Welcome to St. Tropez by DJ Antoine vs. Timati feat. Kalenna, Welcome to St. Tropez (DJ Antoine vs. Mad Mark remix) by DJ Antoine vs. Timati feat. Kalenna and
|
16 | 4:34–4:39 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
1c4171b4-22c0-4a34-91a9-8ce3f7a36882
Also linked to
Organs Groove (DJ Antoine vs. Mad Mark & Clubzound mix) by Clubzound
|
3 | 3:57–4:02 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | ae3e32c7-84ef-4b23-8d39-c3802f1b28a2 | 1 | 4:30 | |||||||||||||||||||||||
| F |
516484ee-3731-4d90-b159-d5884fb4bab3
Also linked to
Not All About the Money by Timati feat. Grooya, La La Land & Timbaland, Amanama by Timati feat. DJ Antoine vs. Mad Mark
|
3 | 4:22–4:23 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 11e9b807-f6f7-47d8-a66c-6d31efce2711 | 1 | 4:36 | |||||||||||||||||||||||
| H | 6181c754-3d50-4766-a7df-d7be3ecd729a | 1 | 4:33 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.80 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.92 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 | — |