open source audio identification
MusicBrainz recording
See the Changes
Crosby, Stills & Nash
3:00
f6bdbb30-b567-4670-ac55-73df86162a8a
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,193
linking them to it
Fingerprints
38
distinct audio files
Duration
2:42–44:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6317e461-62a5-47bf-9191-4eb15cfd2cea
Also linked to
See the Changes by Crosby, Stills, Nash & Young, Up the Junction by Squeeze and
|
22 | 2:56–3:00 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
79194bce-1d19-4a06-aa66-d1b14737135f
Also linked to
See the Changes by Crosby, Stills, Nash & Young
|
4 | 2:42–2:47 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 340e0a7a-81eb-442a-a001-4527808334dc | 1 | 2:57 | |||||||||||||||||||||||||||||||||
| D | 8666cf17-89a6-47ef-ab3b-24d11a92514a | 1 | 2:59 | |||||||||||||||||||||||||||||||||
| E | fa8722bc-47e9-461a-8adb-7d195d86c642 | 1 | 2:59 | |||||||||||||||||||||||||||||||||
| F |
ffa1e7fa-64df-4422-a36d-141cda684f15
Also linked to
Spirits in the Material World by The Police, Spirits in the Material World by The Police and
|
3 | 2:58–3:02 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | bdf3bb9a-9320-4237-8ff1-b2e737eece0c | 1 | 44:22 | |||||||||||||||||||||||||||||||||
| H |
7b5aaba0-30cd-43c1-b136-994dcbf543db
Also linked to
A Slow Song by Joe Jackson, A Slow Song by Joe Jackson
|
3 | 7:58 | |||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 262485d8-d3c3-478b-95f3-3dc922917971 | 1 | 3:24 | |||||||||||||||||||||||||||||||||
| J | dd1fe4f5-8d0a-4830-98a1-04931f3a1ce3 | 1 | 2:57 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.45 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.93 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.45 |
| J | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.45 | — |