open source audio identification
MusicBrainz recording
Back at One
Brian McKnight
3:23
radio edit
f68f1733-c349-4e2b-b246-1cd6b3475611
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
646
linking them to it
Fingerprints
44
distinct audio files
Duration
3:18–5:07
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f9c6a843-a25d-48d7-8a86-e29fb331843e
Also linked to
Back At One (Radio Edit) by Brian McKnight, Get Back by The Beatles and
|
14 | 3:18–3:23 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
6a3879da-20b7-4c23-a09a-334f8a64fa77
Also linked to
Wonderful Tonight by Eric Clapton
|
1 | 5:07 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 1bb9c3ce-3a07-4560-b0b8-e509cff9733b | 1 | 3:23 | |||||||||||||||||||||||||||||||||
| D | a645f93f-53e4-4b34-ba57-7f101b5e36a6 | 1 | 3:26 | |||||||||||||||||||||||||||||||||
| E |
3f0e7280-8831-41eb-9b16-a2c153bbad35
Also linked to
Back at One by Brian McKnight, Back at One by Brian McKnight and
|
9 | 3:36–3:42 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
aade4060-f6bc-496f-b65b-e0252cab999a
Also linked to
You Could Be the One by Brian McKnight
|
5 | 3:18–3:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 1312a6f4-9261-4981-968b-d33af900f5e2 | 1 | 4:01 | |||||||||||||||||||||||||||||||||
| H | 4f90c94f-9a65-4a5f-8e25-58f2ea952218 | 1 | 3:23 | |||||||||||||||||||||||||||||||||
| I |
b0e9e847-99ed-4421-a57c-dd5f19892142
Also linked to
Good as Gold (Stupid as Mud) by The Beautiful South
|
10 | 3:46–3:50 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
|
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| J | 6e082215-f66a-4e7e-b8f2-8754350f0b3d | 1 | 4:23 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.92 | 0.84 | 0.71 | 0.96 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.92 | 0.00 | 0.00 | — | 0.87 | 0.70 | 0.90 | 0.00 | 0.00 | 0.00 |
| E | 0.84 | 0.00 | 0.00 | 0.87 | — | 0.65 | 0.84 | 0.00 | 0.00 | 0.00 |
| F | 0.71 | 0.00 | 0.00 | 0.70 | 0.65 | — | 0.72 | 0.00 | 0.00 | 0.00 |
| G | 0.96 | 0.00 | 0.00 | 0.90 | 0.84 | 0.72 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |