open source audio identification
MusicBrainz recording
If I Should Fall Behind
Bruce Springsteen
4:44
live, 1992‐09‐22: Warner Hollywood Studios, Los Angeles, CA, USA
f4d4a80b-604a-4233-bbeb-64884708a27d
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,239
linking them to it
Fingerprints
38
distinct audio files
Duration
4:23–4:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f434436d-6a80-41fc-a5e8-4e4209c15d64
Also linked to
If I Should Fall Behind by Bruce Springsteen, If I Should Fall Behind by Bruce Springsteen
|
10 | 4:44–4:51 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
bd067006-7574-4f54-afd9-8b3e2776b1eb
Also linked to
If I Should Fall Behind by Bruce Springsteen
|
5 | 4:38–4:43 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 59d2aba8-e838-41da-8603-b2562c914167 | 3 | 4:53–4:54 | ||||||||||||||||||||||||||||
| D | fe9626f8-e36a-4c06-b3bf-bf9bcea26a4b | 2 | 4:29–4:36 | ||||||||||||||||||||||||||||
| E | 6dd25578-85e6-441b-a2f6-0289d69e6009 | 1 | 4:44 | ||||||||||||||||||||||||||||
| F | 964e5b66-f6a6-46a7-8a8a-e3c814b11c97 | 2 | 4:48–4:49 | ||||||||||||||||||||||||||||
| G | 0ff1d550-b6a3-4936-ab22-f167154ab648 | 1 | 4:23 | ||||||||||||||||||||||||||||
| H | b60b0e13-883e-46ec-b2d2-5b65f6049e1d | 1 | 4:45 | ||||||||||||||||||||||||||||
| I |
2c40e885-7b80-4910-9771-bf50abb8480d
Also linked to
If I Should Fall Behind by Faith Hill, That’s How Love Moves by Faith Hill and
|
10 | 4:32–4:39 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 777a064d-e82f-4ca9-bafc-0c1d4cdd43ca | 1 | 4:43 | ||||||||||||||||||||||||||||
| K | 2cb36530-5668-40e4-a4c4-79209f8ca4ee | 1 | 4:51 | ||||||||||||||||||||||||||||
| L | 629860e1-67cc-449f-8d93-5d7791cd6ae2 | 1 | 4:44 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.98 | 0.86 | 0.92 | 0.00 | 0.00 | 0.90 | 0.00 | 0.00 | 0.00 | 0.00 | 0.13 |
| B | 0.98 | — | 0.86 | 0.91 | 0.00 | 0.00 | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 | 0.12 |
| C | 0.86 | 0.86 | — | 0.79 | 0.00 | 0.00 | 0.99 | 0.00 | 0.00 | 0.00 | 0.00 | 0.11 |
| D | 0.92 | 0.91 | 0.79 | — | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 | 0.12 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.90 | 0.91 | 0.99 | 0.86 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.21 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.13 | 0.12 | 0.11 | 0.12 | 0.00 | 0.00 | 0.21 | 0.00 | 0.00 | 0.00 | 0.00 | — |