open source audio identification
MusicBrainz recording
No Time for Talk
Christopher Cross
4:23
f386da3c-fb34-426e-9c0a-24c50965e474
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
237
linking them to it
Fingerprints
46
distinct audio files
Duration
4:13–5:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a291fb04-4d77-487c-8daf-3b4f49a6cd28
Also linked to
No Time for Talk by Christopher Cross, No Time for Talk by Christopher Cross
|
11 | 4:20–4:28 | |||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||
| B |
0ce51383-ad68-4a0a-ba65-2e578e3ba313
Also linked to
No Time for Talk by Christopher Cross
|
7 | 4:22–4:28 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C |
e4a91040-6ee0-4b9b-b9e9-0c53ee475078
Also linked to
What Am I Supposed to Believe by Christopher Cross
|
4 | 4:15–4:20 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D |
7cf5f21d-5d2f-46ee-8bdb-1e18fd6d2fd2
Also linked to
No Time for Talk by Christopher Cross
|
1 | 4:30 | |||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||
| E | 52779ca4-ca23-40c5-91fd-1f756d070fb4 | 17 | 4:13–4:20 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | 32ee2bb7-a9b0-4e23-848b-cfc8a9471533 | 1 | 4:27 | |||||||||||||||||||||||
| G | 8122531e-4fa8-4d29-aabb-172788aaa1fc | 3 | 4:21 | |||||||||||||||||||||||
|
Recordings linked to G
|
||||||||||||||||||||||||||
| H | 7c5f9f4b-429b-40d1-9257-f2fb8f629f09 | 1 | 5:03 | |||||||||||||||||||||||
| I |
0bedb380-805b-465e-83d2-74ded66cef74
Also linked to
No Time for Talk by Christopher Cross
|
1 | 4:14 | |||||||||||||||||||||||
|
Recordings linked to I
|
||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.78 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.88 | 0.64 |
| B | 0.78 | — | 0.77 | 0.00 | 0.00 | 0.67 | 0.00 | 0.74 | 0.59 |
| C | 0.85 | 0.77 | — | 0.00 | 0.00 | 0.56 | 0.00 | 0.89 | 0.62 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.87 | 0.00 | 0.00 |
| F | 0.00 | 0.67 | 0.56 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.52 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.87 | 0.00 | — | 0.00 | 0.00 |
| H | 0.88 | 0.74 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.63 |
| I | 0.64 | 0.59 | 0.62 | 0.00 | 0.00 | 0.52 | 0.00 | 0.63 | — |