open source audio identification
MusicBrainz recording
Good Times
Styles P
3:31
f35c4935-60ed-4095-8e26-b02c212dfa88
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
221
linking them to it
Fingerprints
29
distinct audio files
Duration
3:25–3:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
441100c2-ad70-491e-93c9-874ac238c432
Also linked to
Good Times (clean) by Styles P
|
2 | 3:31–3:33 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
0b9a10be-7910-4401-9c6a-66b9db4f842d
Also linked to
Good Times (dirty) by Styles P
|
6 | 3:41–3:44 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
42436093-4ba7-4bce-a2f3-cd8fa8c1116f
Also linked to
#1 by Nelly
|
1 | 3:33 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
9344bca4-ccc8-49ad-8e17-31fa32246d1c
Also linked to
Good Times by Juelz Santana, Nobody Believes Me by Styles P feat. Sheek, Cross & J-Hood
|
1 | 3:31 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 5de2361e-2ce7-4764-9436-f5766c774194 | 2 | 3:45–3:46 | |||||||||||||||||||||||
| F |
11e91686-20ee-4b8d-a131-b307f6b3c339
Also linked to
Good Times by Styles P, Good Times by Finger Eleven
|
3 | 3:44–3:46 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 83dd568a-c7e9-4cbd-8a53-e85cc7f8fcc3 | 5 | 3:34–3:37 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
4383caaa-fcc3-486f-8a9c-9d88a9ebf3a8
Also linked to
Good Times by Styles P
|
5 | 3:45–3:47 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
f9b11213-a07f-4240-9865-70d6d4c93a16
Also linked to
Show Discipline by Jadakiss featuring Nas
|
2 | 3:32 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 0d260a84-0e05-4561-89d5-e8b7b3ac4c20 | 1 | 3:31 | |||||||||||||||||||||||
| K | 78988bcc-cab6-4aec-92a3-52e0883cbd07 | 1 | 3:25 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.95 | 0.00 | 0.57 | 0.53 | 0.00 | 0.81 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.57 | 0.53 | 0.00 | 0.80 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 | — | 0.84 | 0.00 | 0.00 |
| I | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | 0.84 | — | 0.00 | 0.50 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.81 | 0.00 | 0.00 | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 | 0.50 | 0.00 | — |