open source audio identification
MusicBrainz recording
April Love
Pat Boone
2:29
f34dbe27-4e78-45f2-bbb4-bf09e601d325
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
113
linking them to it
Fingerprints
70
distinct audio files
Duration
2:07–2:46
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f6a183a5-20be-4e7d-9805-51eb0d1befce
Also linked to
April Love by Pat Boone, April Love by Pat Boone
|
24 | 2:27–2:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
af63d213-e664-42a6-a535-e2414dc38045
Also linked to
April Love by Pat Boone, April Love by Pat Boone
|
1 | 2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
2ffd2dd7-e01e-4fba-9e5e-353044dc68e1
Also linked to
April Love by Pat Boone
|
7 | 2:29–2:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
fc3a4c24-7849-4ebc-a165-6893cfb4bb23
Also linked to
April Love by Pat Boone, April Love by The Countdown Singers and
|
33 | 2:39–2:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
9d79585d-fc4c-44e4-9f91-2f344fc538bf
Also linked to
April Love by Pat Boone
|
2 | 2:21–2:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | a679928c-b99b-474e-99fe-2db5a00c364a | 1 | 2:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G |
04308b1e-8ade-4ce1-a012-840a948c176e
Also linked to
Love Letters in the Sand by Pat Boone
|
1 | 2:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 034719a3-6004-4596-bc36-b3f9fb917c36 | 1 | 2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.93 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.93 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |