open source audio identification
MusicBrainz recording
Halo
Beyoncé
3:45
radio edit
f13db9d7-1c07-4e24-b8c8-4026e511b788
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
633
linking them to it
Fingerprints
64
distinct audio files
Duration
3:32–4:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d31ceb2e-f49a-417a-b869-c3a29e1e33d4 | 4 | 3:45–3:46 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
a5240afa-a281-4d8c-a20c-1524597ca1cd
Also linked to
Halo by Beyoncé, halo (beyonce) by Trace Mountains and
|
8 | 3:44–3:51 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
15f25ba0-b211-49ea-bb52-f3f794bcd374
Also linked to
Halo by Beyoncé, Halo (radio edit) by Omnia feat. Melissa Loretta and
|
9 | 4:19–4:25 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 2ba105ac-ff01-4d3b-8095-b545b9915b2e | 2 | 3:40–3:44 | |||||||||||||||||||||||||||||||||||||||||||
| E |
549e9272-4d19-46c8-98e3-3da8d9baa13f
Also linked to
Halo (Radio Edit) by Beyoncé
|
1 | 3:44 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 99cb276c-74f1-434c-9c45-9944ebf01b53 | 1 | 3:45 | |||||||||||||||||||||||||||||||||||||||||||
| G |
8b74b3fa-91cd-486a-b414-b6192853ac67
Also linked to
Whoomph! (There It Is!) by Clock, Whoomph! (There It Is) (short stab) by Clock and
|
37 | 3:32–3:38 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 4459d140-bd8f-46c4-88d9-39d20f5d08eb | 1 | 3:50 | |||||||||||||||||||||||||||||||||||||||||||
| I | 64749dd4-1355-448f-8c2a-afe3aba03240 | 1 | 3:48 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.43 | 0.00 |
| B | 0.00 | — | 0.97 | 0.00 | 0.87 | 0.00 | 0.00 | 0.54 | 0.00 |
| C | 0.00 | 0.97 | — | 0.00 | 0.87 | 0.00 | 0.00 | 0.52 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.87 | 0.87 | 0.00 | — | 0.00 | 0.00 | 0.50 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.43 | 0.54 | 0.52 | 0.00 | 0.50 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |