MusicBrainz recording
I Love You
The Volumes
2:38
efe8b1bf-2600-4617-add7-bdcfc69c80ee
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
87
linking them to it
Fingerprints
40
distinct audio files
Duration
2:35–2:44
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
148add44-4270-4db7-af28-82027d857226
Also linked to
I Love You by The Volumes, I Love You by The Volumes and
|
21 | 2:35–2:39 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B | d3e8f301-368a-41cf-8c42-ac0014874b50 | 1 | 2:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
5039411f-5d91-4425-b818-481a74a93401
Also linked to
I Love You by The Ralph Sharon Trio, I Love You by The Volumes
|
2 | 2:39–2:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
2221900e-f00b-4d14-9246-b732ab3ae625
Also linked to
I Love You by The Volumes, I Love You by Volumes and
|
3 | 2:40–2:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 30a55187-5dec-4595-826d-20bbc4d709c7 | 1 | 2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
f90cd874-e3d7-442b-9e8f-2fb5ebe2bc24
Also linked to
Let’s Start All Over Again by The Paragons, Let's Start All Over Again by The Paragons and
|
12 | 2:39–2:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.