AcoustID open source audio identification
MusicBrainz recording

Don’t Pull Your Love

Hamilton, Joe Frank & Reynolds 2:42
efe82834-5a63-4b38-bb48-918f73a18d50 View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
697
linking them to it
Fingerprints
93
distinct audio files
Duration
2:27–3:04
range of submitted files

AcoustIDs

Most submitted first, 4 disabled
Show 4 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 8eb907c3-f027-4a1b-9397-335c6ef76dac
Also linked to Don't Pull Your Love Out by Hamilton, Joe Frank & Reynolds, Don’t Pull Your Love by Hamilton, Joe Frank & Reynolds and
18 2:39–2:47
375
B c5f18f57-6380-43ca-a419-59ad1ae2cd4c
Also linked to Don’t Pull Your Love by Hamilton, Joe Frank & Reynolds, Don't Pull Your Love Out by Hamilton, Joe Frank & Reynolds and
13 2:35–2:42
260
C 77e4e850-0676-4e79-960e-c0e3b513b913
Also linked to Don’t Pull Your Love by Hamilton, Joe Frank & Reynolds, Don’t Pull Your Love by Hamilton, Joe Frank & Reynolds and
2 2:49–2:50
42
D 5b1254fc-0305-4777-8b1a-d5e2cf7daeb2
Also linked to Don't Pull Your Love by Hamilton, Joe Frank & Reynolds, Don't Pull Your Love by Hamilton, Joe Frank & Reynolds and
22 2:40–2:47
11
E 05f6b23d-d702-4712-9b71-69711e2465ec
Also linked to Everlasting Love by Carl Carlton
2 2:31–2:35
2
F 388d15f3-1139-4e12-98c3-bc59ee0f976d
Also linked to Julie, Do Ya Love Me by Bobby Sherman, Julie, Do Ya Love Me by Bobby Sherman
8 2:50–2:57
2
G 3215427c-2aa4-42ba-a5c5-24e570cf8445
Also linked to Timothy by The Buoys, Timothy by The Buoys
18 2:42–2:49
1
H 3773f352-fc20-44a5-89ca-07c0758eeefb
Also linked to Don’t Let Your Sweet Love Die by Reno and Smiley, Wicked Path of Sin by Bill Monroe and the Bluegrass Boys
2 2:27–2:29
1
I 2402338d-1173-44bb-b70f-6da46d5afcf3 1 2:39
1
J a2ad1cfe-812d-42ce-82ce-6ee9e9ffe979 1 3:04
1
K ebff16e1-3dda-45d3-bfe5-52450ba1ac60
Also linked to My True Love by Jack Scott, My True Love by Jack Scott and
6 2:47–2:50
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHIJK
A — 0.85 0.91 0.00 0.00 0.00 0.00 0.00 0.50 0.93 0.00
B 0.85 — 0.89 0.00 0.00 0.00 0.00 0.00 0.56 0.88 0.00
C 0.91 0.89 — 0.00 0.00 0.00 0.00 0.00 0.48 0.97 0.00
D 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.00
E 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00
F 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00
G 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00
H 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00
I 0.50 0.56 0.48 0.00 0.00 0.00 0.00 0.00 — 0.49 0.00
J 0.93 0.88 0.97 0.00 0.00 0.00 0.00 0.00 0.49 — 0.00
K 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 —