open source audio identification
MusicBrainz recording
You’re the Voice (Swing version)
John Farnham with Melbourne Symphony Orchestra
4:57
ef2ca8c7-ba44-427b-92d9-82161428d24e
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
42
linking them to it
Fingerprints
129
distinct audio files
Duration
4:49–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 13344ed1-d718-4b98-b330-cedacd96ef21 | 3 | 4:57–4:59 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
ce09026f-4ef4-4d21-ac06-cfc3c66cfd1d
Also linked to
You’re the Voice by John Farnham, You’re the Voice by John Farnham and
|
38 | 4:57–5:04 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
d89e4c2e-9827-4492-8a18-2ddbb825554c
Also linked to
You’re the Voice by John Farnham, You’re the Voice by John Farnham and
|
21 | 4:49–4:56 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
b3b503eb-c58d-403b-9ce8-9438f1832ddd
Also linked to
You’re the Voice by John Farnham, You’re the Voice by John Farnham and
|
67 | 5:01–5:08 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.