open source audio identification
MusicBrainz recording
Don’t Get Around Much Anymore
Louis Armstrong & Duke Ellington
3:34
ef263d8f-bb4c-4d1a-b46e-e8bfdd47ef9d
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
645
linking them to it
Fingerprints
38
distinct audio files
Duration
3:19–3:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
439eec55-71a9-4c8c-b49e-c9a6af2cfd6b
Also linked to
Don't Get Around Much Anymore by Louis Armstrong, Don't Get Around Much Anymore by Louis Armstrong
|
7 | 3:31–3:36 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
2c44edb9-749d-4335-ae23-3ddde681dbc2
Also linked to
Don't Get Around Much Anymore by Louis Armstrong, Don't Get Around Much Anymore by Louis Armstrong & Duke Ellington and
|
3 | 3:31–3:32 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | ed987abe-1831-4f63-94f7-b7acb8d9afc9 | 2 | 3:33 | ||||||||||||||||||||||||||||||||||||||
| D | 568a6e2a-cbc6-4ff3-a179-7af2b91d9ca2 | 6 | 3:29–3:33 | ||||||||||||||||||||||||||||||||||||||
| E |
497d6a17-e248-4a71-a447-187b11dfe319
Also linked to
Don't Get Around Much Anymore by Louis Armstrong and The Duke Ellington Orchestra, Don’t Get Around Much Anymore by Duke Ellington & His Orchestra and
|
14 | 3:19–3:25 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 63f0d401-6310-4be2-8a30-f274686e43f4 | 2 | 3:32–3:33 | ||||||||||||||||||||||||||||||||||||||
| G | 08d45d09-0ae6-46ea-b41d-6b5d2b42c2fa | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||
| H | b0db4b77-29ff-400e-8f74-69515fe035dd | 1 | 3:32 | ||||||||||||||||||||||||||||||||||||||
| I | 60f6adda-3390-414c-a085-93885d7437d1 | 1 | 3:36 | ||||||||||||||||||||||||||||||||||||||
| J | 13d71720-19bf-446b-a228-3f93364e49cd | 1 | 3:36 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.69 | 0.63 | 0.00 | 0.00 | 0.57 | 0.00 | 0.55 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 |
| C | 0.69 | 0.00 | — | 0.60 | 0.00 | 0.00 | 0.45 | 0.00 | 0.00 | 0.00 |
| D | 0.63 | 0.00 | 0.60 | — | 0.00 | 0.00 | 0.43 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.57 | 0.54 | 0.45 | 0.43 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |