open source audio identification
MusicBrainz recording
Wishful Sinful
The Doors
3:00
40th anniversary mix
ef0fd1c4-a0b0-4863-9501-b04409db9b79
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
697
linking them to it
Fingerprints
43
distinct audio files
Duration
2:47–3:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6ef6fc46-23dc-4f7d-a704-551606dc7a05
Also linked to
Wishful Sinful by The Doors, Wishful Sinful by The Doors and
|
8 | 2:57–3:00 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
3ed1ce4c-4c18-4eb1-bbec-d4cbc9eabb64
Also linked to
Wishful Sinful by The Doors, Wishful Sinful by The Doors and
|
12 | 2:56–3:03 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
5e14faa7-0016-421f-a053-f746a1c58496
Also linked to
Wishful Sinful by The Doors, Wishful Sinful by The Doors and
|
16 | 2:54–3:01 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 6cbe30ec-7d5c-41b9-a318-335f386bcd41 | 1 | 2:59 | |||||||||||||||||||||||||||||||||
| E | f1e9fac7-c176-4315-9c74-5f061ebe19ff | 1 | 2:47 | |||||||||||||||||||||||||||||||||
| F | 688c36cb-d076-467d-bf3d-4157b2be2ed7 | 1 | 3:04 | |||||||||||||||||||||||||||||||||
| G | e3947c55-68fd-4022-85e5-91fc7778668d | 1 | 2:59 | |||||||||||||||||||||||||||||||||
| H |
f8f88dbb-c29b-4a6b-ba55-5dd307ae7490
Also linked to
Wishful Sinful by The Doors, Wishful Sinful by The Doors and
|
2 | 3:04–3:05 | |||||||||||||||||||||||||||||||||
|
Recordings linked to H
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| I | 075e223f-a499-4fba-b0af-1475a7c4fdce | 1 | 2:59 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 |
| B | 0.66 | — | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 |
| C | 0.68 | 0.88 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.66 | 0.93 | 0.82 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |