open source audio identification
MusicBrainz recording
As You Like It
Adam Faith
2:03
eeceebeb-c897-49a5-a9f7-ffc410fced4b
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
152
linking them to it
Fingerprints
34
distinct audio files
Duration
1:52–2:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
89034b4b-9d4a-41df-9804-f7978e8b01b5
Also linked to
As You Like It by Adam Faith, As You Like It by Adam Faith and
|
14 | 2:01–2:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b077e5e3-4737-41d7-8cfd-d52c1efaf1bf
Also linked to
Over You by Freddie & the Dreamers, Just for You by Freddie & the Dreamers and
|
9 | 1:56–1:59 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | aa5282a1-cb0b-46c3-b8cb-2c54e153d43d | 3 | 2:02–2:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
3e6e074a-1af4-42fa-80d6-f7bcfe7f51c4
Also linked to
It’s Not Unusual by Tom Jones
|
1 | 2:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
78fe1c47-6b51-4190-8d14-0ceb17f227a3
Also linked to
As You Like It by Adam Faith
|
2 | 2:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | efcbbc97-0476-4f65-9ac7-28a22fbfdf26 | 1 | 2:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 4cfe09f7-cba3-4e64-b262-ce8e8cf08b5a | 2 | 1:52–1:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
fb09970f-5518-44be-8742-700e38401e7a
Also linked to
I Love Being In Love With You by Adam Faith
|
2 | 2:01–2:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.84 | 0.69 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.84 | 0.00 | 0.00 | 0.00 | — | 0.60 | 0.00 | 0.00 |
| F | 0.69 | 0.00 | 0.00 | 0.00 | 0.60 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |