MusicBrainz recording
Midnight at the Oasis
Maria Muldaur
3:43
edf8f11d-346b-4a66-a5b6-6a0d45b47faa
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
53
linking them to it
Fingerprints
56
distinct audio files
Duration
3:36–3:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
bb818c12-7feb-49e4-b7ea-9e4d05f181ea
Also linked to
Midnight at the Oasis by Maria Muldaur, Midnight at the Oasis by Maria Muldaur and
|
12 | 3:42–3:48 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
ffc0cc2d-fadb-49ec-bbe5-2c09775458f2
Also linked to
Midnight at the Oasis by Maria Muldaur, Midnight at the Oasis by Maria Muldaur and
|
13 | 3:36–3:42 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
bbd0cf32-cb22-4ee8-accd-ecfb1c16b152
Also linked to
Midnight at the Oasis by Maria Muldaur, Midnight at the Oasis by Maria Muldaur and
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19 | 3:43–3:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | ec3e1268-6196-4dd3-b0fa-4a28f1f8d107 | 2 | 3:45 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
cd2fc22e-b233-4156-aa26-22d0d14d8ee2
Also linked to
Midnight at the Oasis by Maria Muldaur, Midnight at the Oasis by Maria Muldaur and
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4 | 3:36–3:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
93e91487-6cc3-4fa8-809e-2d8d4887a6bd
Also linked to
Midnight at the Oasis by Maria Muldaur, Midnight at the Oasis by Maria Muldaur and
|
6 | 3:48–3:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.