MusicBrainz recording
You Can’t Hurry Love
The Supremes
3:00
2003 remix, USMO10300717
ed915ceb-c3f6-4a20-a56a-1746e46cf2ea
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
215
linking them to it
Fingerprints
20
distinct audio files
Duration
2:40–3:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
06728644-7b18-4c12-9e78-8eb09d5b68fc
Also linked to
You Can’t Hurry Love by The Supremes, You Can’t Hurry Love by Diana Ross & The Supremes and
|
5 | 2:54–3:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
52e526d8-c3a1-423b-8cca-a7509bb233bb
Also linked to
You Can’t Hurry Love by The Supremes, You Can’t Hurry Love by The Supremes and
|
4 | 3:02–3:06 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 5d9448b2-d737-4170-a96b-2640af37576a | 1 | 2:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
9f788f59-6011-41ce-88a5-a2e91a6f14bb
Also linked to
Theme From Mahogany (Do You Know Where You’re Going To?) by Diana Ross
|
3 | 3:09–3:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
5b9a0383-f585-42ee-8e13-9a78d1d3bed5
Also linked to
You Keep Me Hangin’ On by Diana Ross and The Supremes, You Keep Me Hangin’ On by The Supremes and
|
3 | 2:40–2:44 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | cf017d14-1e3e-4023-b984-e7034183b138 | 1 | 3:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G |
445138f7-75f6-42be-bf4d-3fa51d5323cd
Also linked to
You Can’t Hurry Love by The Supremes, You Can’t Hurry Love by The Supremes and
|
3 | 2:53–2:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.