open source audio identification
MusicBrainz recording
Portrait of My Love
Matt Monro
2:45
ed3cb67a-9244-405d-b4cd-ed0e5b42ee07
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
419
linking them to it
Fingerprints
41
distinct audio files
Duration
2:32–2:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
71fbf277-b337-422c-800b-8d29c16961cb
Also linked to
Portrait of My Love by Matt Monro
|
20 | 2:43–2:51 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
eb5c76ce-f0e0-4f9c-806a-6517d557511b
Also linked to
Portrait of My Love by Matt Monro, Portrait of My Love by Matt Monro and
|
12 | 2:42–2:49 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 4f860c6f-419b-4aea-b7cd-c6aeb9e66de9 | 2 | 2:45–2:46 | ||||||||||||||||||||||||||||
| D |
99099c82-3971-4cfb-958a-c37a8d57247a
Also linked to
The Twelfth of Never by Cliff Richard
|
2 | 2:43–2:45 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 1d801a88-942a-4b3f-88f0-20560a9c912f | 1 | 2:44 | ||||||||||||||||||||||||||||
| F | e06ef608-a64b-4fb7-951e-d28470c7bf10 | 1 | 2:44 | ||||||||||||||||||||||||||||
| G |
7d3222d1-d24f-47a9-95bc-3ed855ca4873
Also linked to
Wednesday’s Child by Matt Monro
|
1 | 2:41 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
62546161-d618-474a-9bb7-e53cf62a0528
Also linked to
A Story of Ireland by Matt Monro
|
1 | 2:40 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
cefb355d-36ed-4ad5-a07c-f35f151e281e
Also linked to
Portraits in the Sand by Elemint, Portraits in the Sand by Elemint
|
1 | 2:32 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.86 | 0.60 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.86 | — | 0.69 | 0.59 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.60 | 0.69 | — | 0.40 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.68 | 0.59 | 0.40 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |