open source audio identification
MusicBrainz recording
Girlfriend
Matthew Sweet
3:40
ed1be67a-2635-4b07-be77-1c97f72714ec
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
958
linking them to it
Fingerprints
31
distinct audio files
Duration
3:27–3:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
13a36ae9-b7cb-44d5-ac86-dc0cc511c4b8
Also linked to
Girlfriend by Matthew Sweet, Girlfriend by Matthew Sweet and
|
11 | 3:39–3:45 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | cc37f0a6-8f4a-491d-a853-574fa0ee2d4a | 1 | 3:40 | ||||||||||||||||||||||||||||
| C |
2c8e1f8e-124f-4160-b51c-fcf61307afe5
Also linked to
Rise Up by Cypress Hill feat. Tom Morello
|
3 | 3:40–3:41 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 91f6a23a-238f-4ac4-befe-cf1c7f7caef8 | 2 | 3:39–3:41 | ||||||||||||||||||||||||||||
| E | c83bf8c6-b832-4046-b32f-1ba2fe3c5328 | 2 | 3:41–3:42 | ||||||||||||||||||||||||||||
| F | 050a9f07-5154-4ce7-ac10-9b4d59bf79e1 | 2 | 3:38–3:39 | ||||||||||||||||||||||||||||
| G | 8c92db64-ac9f-4615-93ca-0a7f8b9b15be | 2 | 3:41 | ||||||||||||||||||||||||||||
| H |
e75f8f8e-fac6-4dca-8cd7-445c1dccfe02
Also linked to
Girlfriend by B2K
|
2 | 3:40 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
414d6bf9-f1b2-45a8-9264-89bedd26b551
Also linked to
Does She Talk? by Matthew Sweet
|
4 | 3:27–3:28 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | a40c71e2-c39c-4ac8-b99c-9199f7062ad5 | 1 | 3:38 | ||||||||||||||||||||||||||||
| K | 08f05af2-dfff-4d91-82af-09c53ab127bb | 1 | 3:47 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.59 | 0.56 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.91 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.59 | 0.00 | — | 0.52 | 0.00 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.56 | 0.00 | 0.52 | — | 0.73 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.73 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.54 | 0.00 | 0.61 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |