open source audio identification
MusicBrainz recording
All My Love in Vain
Sonny Boy Williamson
2:51
eca5bc7a-2011-4c68-b01c-b205c6f2a532
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
301
linking them to it
Fingerprints
56
distinct audio files
Duration
2:35–2:57
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 16a09a88-dec8-4303-a17c-65711dfba143 | 16 | 2:50–2:52 | |||||||||||||||||||||||
| B |
f80c68a1-d033-4f04-8f26-d1502651b9ba
Also linked to
Have You Ever Been in Love by Sonny Boy Williamson
|
3 | 2:44–2:48 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C |
5ec30a5c-2eb9-4f49-acc1-dca77fc93aa9
Also linked to
Evil by Howlin’ Wolf
|
7 | 2:48–2:52 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D |
5b1f09e2-bee6-4145-aeda-916674303018
Also linked to
All My Love in Vain by Sonny Boy Williamson
|
5 | 2:48–2:52 | |||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||
| E | 80459866-9dc5-4ba1-9a35-2db60309af3e | 2 | 2:49 | |||||||||||||||||||||||
| F |
d8401cf8-aedd-4cf2-8ebf-f5010e8df768
Also linked to
Good Evening Everybody by Sonny Boy Williamson, Good Evening Everybody by Sonny Boy Williamson and
|
14 | 2:35–2:37 | |||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||
| G | 0b3d7c7f-7b55-465f-891b-fb936c813bcf | 1 | 2:50 | |||||||||||||||||||||||
| H | b9e4ca35-b980-4bac-9531-100073ce074a | 2 | 2:54–2:57 | |||||||||||||||||||||||
| I | 5321a268-5551-4e0c-8141-974161e0be16 | 2 | 2:50–2:51 | |||||||||||||||||||||||
| J |
c4366971-fcb5-4d20-ac79-ee84c192da55
Also linked to
Put It All in There by George “Wild Child” Butler
|
3 | 2:51–2:52 | |||||||||||||||||||||||
|
Recordings linked to J
|
||||||||||||||||||||||||||
| K | 212d1299-232d-48c2-8109-5d7029582bf1 | 1 | 2:46 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.64 | 0.70 | 0.68 | 0.00 | 0.00 | 0.65 | 0.57 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.64 | 0.00 | — | 0.68 | 0.53 | 0.00 | 0.33 | 0.50 | 0.49 | 0.00 | 0.00 |
| D | 0.70 | 0.55 | 0.68 | — | 0.61 | 0.00 | 0.39 | 0.65 | 0.51 | 0.00 | 0.00 |
| E | 0.68 | 0.00 | 0.53 | 0.61 | — | 0.00 | 0.41 | 0.87 | 0.71 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.33 | 0.39 | 0.41 | 0.00 | — | 0.47 | 0.38 | 0.00 | 0.00 |
| H | 0.65 | 0.00 | 0.50 | 0.65 | 0.87 | 0.00 | 0.47 | — | 0.68 | 0.00 | 0.00 |
| I | 0.57 | 0.00 | 0.49 | 0.51 | 0.71 | 0.00 | 0.38 | 0.68 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |