MusicBrainz recording
Elevate My Mind
Stereo MC’s
3:19
ec45e2d7-44c0-4a6f-815e-1a0557a79ab2
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
172
linking them to it
Fingerprints
55
distinct audio files
Duration
3:08–3:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a46a9d98-917c-459b-8365-e890cf0950e4
Also linked to
Elevate My Mind by Stereo MC’s, Elevate My Mind by Stereo MCs and
|
22 | 3:14–3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
4ef9d0af-28e2-4a23-9e21-ceb01948fa57
Also linked to
Better Not Look Down by B.B. King, Better Not Look Down by B.B. King and
|
16 | 3:18–3:25 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 028455f9-cb1c-44ae-8678-e8d16b41f325 | 1 | 3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
12902ab6-5e81-4e60-8d56-91c780977ca4
Also linked to
Part‐Time Love by B.B. King
|
3 | 3:16–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | d1d392e9-3797-4b75-9bb8-300db187e247 | 1 | 3:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | f6709e0c-ca6d-4a22-b9c1-7fac5c08cbac | 1 | 3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 2632a9c2-cc1d-4476-af3d-b8f0deab990d | 2 | 3:10–3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
bf202d9c-de62-4e49-b577-5374156272b6
Also linked to
Speak of the Devil by A Day to Remember
|
2 | 3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
17819c34-dadf-44bb-bc8e-78f89ce36ead
Also linked to
Candy Everybody Wants by 10,000 Maniacs
|
7 | 3:19–3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.83 | 0.00 | 0.85 | 0.00 | 0.73 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.83 | 0.00 | — | 0.00 | 0.75 | 0.00 | 0.78 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.85 | 0.00 | 0.75 | 0.00 | — | 0.00 | 0.65 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.73 | 0.00 | 0.78 | 0.00 | 0.65 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |