MusicBrainz recording
You Ain’t Seen Nothing Yet
Bachman–Turner Overdrive
3:55
1996 recording
ec365aad-6a95-48a5-a66d-5e9b2e9e89fd
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
29
linking them to it
Fingerprints
85
distinct audio files
Duration
3:47–4:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d7fd4a53-40b0-483c-9607-6c1e1dda886c
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet (re‐recorded version) by BTO
|
2 | 3:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
eb050e3d-f5d8-469d-8a5e-bc8ee3a0d918
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain't Seen Nothing Yet by Bachman–Turner Overdrive and
|
55 | 3:50–3:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
c8c0c752-2712-425c-a611-ea7c0aac614d
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive
|
3 | 3:47–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
c7ed0582-0b2b-4c44-9518-12a5f2a5b94f
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive, You Ain’t Seen Nothing Yet by Bachman Turner Overdrive and
|
9 | 3:53–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
ceac9c4f-3dfd-49f0-915e-4e3ea04c03ee
Also linked to
You Ain’t Seen Nothing Yet by Bachman–Turner Overdrive
|
16 | 3:50–3:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.