open source audio identification
MusicBrainz recording
Can You See Me
The Jimi Hendrix Experience
2:34
mono
ebfd8856-382a-4c22-bb13-6dfc8fff540b
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
17
linking them to it
Fingerprints
40
distinct audio files
Duration
2:28–2:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5c26ef7b-4d1f-42d2-aa05-bfed57a61f2f
Also linked to
Can You See Me by The Jimi Hendrix Experience
|
6 | 2:30–2:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
906903af-48f4-4be9-bc03-f5841dc18a9c
Also linked to
Can You See Me by The Jimi Hendrix Experience, Can You See Me by Jimi Hendrix and
|
23 | 2:28–2:34 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
a3ffdd68-0c9d-42e3-9b60-acd919e974c5
Also linked to
Can You See Me by The Jimi Hendrix Experience
|
4 | 2:33–2:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
64ae5f1b-8d5e-4bb0-b48f-99dd59e6a027
Also linked to
Can You See Me by The Jimi Hendrix Experience, Can You See Me by Jimi Hendrix and
|
7 | 2:32–2:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.