MusicBrainz recording
Let's Go
Calvin Harris feat. Ne‐Yo
3:46
ebdde2e7-4060-4b6e-a61b-8f38f05dbc54
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
14
linking them to it
Fingerprints
35
distinct audio files
Duration
3:34–4:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
67024bff-ecf6-4188-8811-b5843b27592d
Also linked to
Let’s Go (radio edit) by Calvin Harris feat. Ne‐Yo, Let’s Go by Calvin Harris feat. Ne‐Yo and
|
12 | 3:42–3:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
388f0944-017c-47f7-8015-b93bdcbbae71
Also linked to
Let’s Go by Calvin Harris feat. Ne‐Yo, Let’s Go (radio edit) by Calvin Harris feat. Ne‐Yo and
|
8 | 3:52–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| C | ccc97f4f-27a8-45cf-be74-b6a237a4f82a | 2 | 4:02–4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
8a3e4585-7a80-4819-b66f-0fe6d8722871
Also linked to
Let’s Go by Calvin Harris feat. Ne‐Yo
|
4 | 4:06–4:12 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
7469bc6c-c7a4-430c-83e7-4e582beb7a4a
Also linked to
Big Hoops (Bigger the Better) (radio edit) by Nelly Furtado, Big Hoops (Bigger the Better) by Nelly Furtado and
|
7 | 3:34–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 7109563b-0832-40ec-accc-3aa590240073 | 2 | 3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.