open source audio identification
MusicBrainz recording
T.N.T.
AC/DC
4:14
live, 1979-12-09: Pavillon de Paris, Paris, France
eae53f9e-e340-40d1-8a52-3e7fa8e86ff2
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
510
linking them to it
Fingerprints
13
distinct audio files
Duration
4:10–4:31
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8ef2a442-d4d7-4027-bd47-e6c1c293144e
Also linked to
T-N-T by Hardware
|
7 | 4:12–4:18 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
9f331e8b-48bf-4f01-99ef-fe3043f3327d
Also linked to
T.N.T. by AC/DC, Hell Ain’t a Bad Place to Be by AC/DC and
|
1 | 4:31 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
85a9a9ca-33b8-44be-a604-8f3994ba624d
Also linked to
T.N.T. by AC/DC
|
2 | 4:23–4:28 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 45db6cca-b3c7-4e46-b943-df8aa965948c | 1 | 4:51 | |||||||||||||||||||||||
| E | 261f258e-b2c6-49a4-acca-cb5f3dd46d21 | 1 | 4:10 | |||||||||||||||||||||||
| F | a67426d9-890c-4e39-be1c-c0f87142e2f5 | 1 | 4:13 | |||||||||||||||||||||||
| G |
8c343601-9c51-48fd-9c64-c7b787df2c2b
Also linked to
Get It Hot by AC/DC, Get It Hot by AC/DC
|
7 | 4:15–4:19 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 2833d113-dbac-46f6-af9b-cac204cff9b6 | 1 | 4:13 | |||||||||||||||||||||||
| I |
4dc5867b-f997-4a1c-9e14-92f1208e6c1b
Also linked to
Rock and Roll Ain’t Noise Pollution by AC/DC
|
2 | 4:15 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J |
d9f4db17-ad77-48da-8fe6-91b4d7cbceb9
Also linked to
T.N.T. by AC/DC
|
1 | 4:12 | |||||||||||||||||||||||
|
Recordings linked to J
|
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| K | cbbc76d3-804c-4d0e-a04b-df12c113b9c0 | 1 | 4:39 | |||||||||||||||||||||||
| L |
879c1671-b9c2-475d-955c-bb85fca273f9
Also linked to
TNT by AC/DC
|
1 | 4:12 | |||||||||||||||||||||||
|
Recordings linked to L
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.82 | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.85 | 0.00 |
| B | 0.82 | — | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.94 | 0.00 |
| C | 0.88 | 0.80 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.76 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.85 | 0.94 | 0.76 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |