open source audio identification
MusicBrainz recording
Boogie Wonderland
Earth, Wind & Fire
3:21
live, 1995-04-20: Roppongi Velfarre, Tokyo, Japan
ea11f416-23ac-4933-8359-fffa35e172be
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
202
linking them to it
Fingerprints
104
distinct audio files
Duration
3:18–4:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 041a95fe-5412-41ac-9124-2c2ca911ee85 | 6 | 3:21–3:27 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
a86a625a-895f-431b-9a82-a796300a21af
Also linked to
Boogie Wonderland (live) by Earth, Wind & Fire, Boogie Wonderland by Earth, Wind & Fire
|
2 | 3:29 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | e2620cf2-a256-4cce-97a8-285de6a29a9b | 1 | 3:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
28efc351-512b-46fa-a5ff-2d2f7098df18
Also linked to
Boogie Wonderland by Earth, Wind & Fire with The Emotions, Boogie Wonderland (with the Emotions) by Earth, Wind & Fire and
|
78 | 4:47–4:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 19fe2d1d-eaac-409f-9554-4dcffc8da054 | 17 | 3:26–3:29 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.