open source audio identification
MusicBrainz recording
After the Gold Rush
Neil Young & Crazy Horse
3:38
live, 1978-10-04: Boston Garden, Boston, MA, USA
ea0e479a-5a6f-42fb-be64-a6bac6fb2156
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
262
linking them to it
Fingerprints
18
distinct audio files
Duration
3:38–4:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
86ad1442-aed3-4c80-9f3f-1d6af849217f
Also linked to
After the Gold Rush by Neil Young & Crazy Horse, After the Gold Rush by Neil Young
|
5 | 3:42–3:49 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
3c66d855-fdf3-48d2-8816-ac28fa05e3a3
Also linked to
After the Gold Rush by Neil Young & Crazy Horse
|
2 | 3:50–3:51 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
f1853702-6044-4967-81a6-d139743b07e7
Also linked to
After the Gold Rush by Neil Young & Crazy Horse, After the Gold Rush (live) by Neil Young & The Stray Gators
|
3 | 4:00–4:01 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
1a5419c1-e3b0-4f09-aadb-c8d7e32b8c1e
Also linked to
After the Gold Rush by Neil Young & Crazy Horse
|
1 | 3:48 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | 2157bba5-a1fe-410d-9766-eaca32a0acc1 | 2 | 3:48–3:50 | ||||||||||||||||||
| F | 1442cc9a-820c-4266-a5b4-b4438235b237 | 1 | 3:38 | ||||||||||||||||||
| G |
f8c144b1-5689-4961-8d8d-f9bb0d928923
Also linked to
After the Gold Rush by Neil Young & Crazy Horse
|
1 | 3:51 | ||||||||||||||||||
|
Recordings linked to G
|
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| H | 83f7d12c-a9f7-4189-b3f1-d5bbbb28404e | 1 | 3:48 | ||||||||||||||||||
| I | c6858052-b96f-4af3-8334-7a13f32333db | 1 | 4:03 | ||||||||||||||||||
| J | b4eceec8-0930-4d31-bb7a-79ec0b43037c | 1 | 4:02 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.76 | 0.30 | 0.00 | 0.93 | 0.76 | 0.00 | 0.00 | 0.00 |
| B | 0.92 | — | 0.73 | 0.32 | 0.00 | 0.99 | 0.75 | 0.00 | 0.00 | 0.00 |
| C | 0.76 | 0.73 | — | 0.28 | 0.00 | 0.73 | 0.81 | 0.00 | 0.51 | 0.47 |
| D | 0.30 | 0.32 | 0.28 | — | 0.00 | 0.32 | 0.28 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.73 | 0.78 |
| F | 0.93 | 0.99 | 0.73 | 0.32 | 0.00 | — | 0.75 | 0.00 | 0.00 | 0.00 |
| G | 0.76 | 0.75 | 0.81 | 0.28 | 0.00 | 0.75 | — | 0.00 | 0.49 | 0.41 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.51 | 0.00 | 0.73 | 0.00 | 0.49 | 0.00 | — | 0.74 |
| J | 0.00 | 0.00 | 0.47 | 0.00 | 0.78 | 0.00 | 0.41 | 0.00 | 0.74 | — |