open source audio identification
MusicBrainz recording
White Christmas
Bing Crosby, Danny Kaye & Peggy Lee feat. Trudy Stevens
3:17
e9285049-c71a-4428-8ec3-653e638bfd2b
View on MusicBrainz →
AcoustIDs
2
linked to this recording
Submissions
45
linking them to it
Fingerprints
34
distinct audio files
Duration
3:03–3:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5915f522-add8-4a4c-a095-9baa3bea7088
Also linked to
White Christmas (Finale) by Bing Crosby, Danny Kaye, Peggy Lee, Trudy Stevens with Orchestra and Chorus, White Christmas by Bing Crosby, Danny Kaye, Peggy Lee, Trudy Stevens with Orchestra and Chorus and
|
8 | 3:17–3:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
1467cd6b-207a-451b-b45f-f04a63ca1f8d
Also linked to
White Christmas by Bing Crosby, White Christmas by Bing Crosby with Ken Darby Singers and John Scott Trotter and His Orchestra and
|
26 | 3:03–3:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.