open source audio identification
MusicBrainz recording
Betty Lou’s Gettin’ Out Tonight
Bob Seger & the Silver Bullet Band
2:52
e9152c04-da30-4025-aeec-3c78ec19f8d0
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
763
linking them to it
Fingerprints
34
distinct audio files
Duration
2:24–3:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ede5e283-3987-4aef-bb9b-ec4d30fff3da
Also linked to
Betty Lou’s Gettin’ Out Tonight by Bob Seger, Betty Lou’s Gettin’ Out Tonight by Bob Seger & the Silver Bullet Band
|
18 | 2:50–2:53 | ||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||
| B | ae4eb6a6-f2e3-4014-b9ce-e9978fd12ca7 | 2 | 2:52–2:53 | ||||||||||||||||||
| C | bab60c6b-a980-4a63-9edf-cdedc59995bb | 1 | 2:50 | ||||||||||||||||||
| D |
68d989e7-8acb-4e7f-8207-8bcf6a8b2d29
Also linked to
Betty Lou’s Gettin’ Out Tonight by Bob Seger & the Silver Bullet Band
|
4 | 2:59–3:00 | ||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||
| E | 087651a9-0df1-4342-b0bd-53b714f0d2c3 | 1 | 2:52 | ||||||||||||||||||
| F |
0a0405cc-7f99-4a21-9637-9f90919c3473
Also linked to
Betty Lou’s Gettin’ Out Tonight by Bob Seger & the Silver Bullet Band
|
2 | 2:48–2:49 | ||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||
| G |
360e0110-c14a-4d0f-97b0-da54a3baa63f
Also linked to
We’ve Got Tonite by Bob Seger & the Silver Bullet Band
|
2 | 2:49–2:51 | ||||||||||||||||||
|
Recordings linked to G
|
|||||||||||||||||||||
| H | 01401324-5f2f-48a6-bbad-e839ffa38784 | 1 | 2:48 | ||||||||||||||||||
| I | cea0918c-efae-4e54-87ac-73fd783081c1 | 1 | 2:53 | ||||||||||||||||||
| J | 4d4aea0e-e0b8-45a8-9507-b8c71c88c87e | 1 | 2:53 | ||||||||||||||||||
| K | bc66ca57-b9d5-42f9-bd90-f51c19c3ae85 | 1 | 2:24 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.75 | 0.00 | 0.54 | 0.00 | 0.00 | 0.32 | 0.00 | 0.00 | 0.27 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.75 | 0.00 | — | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.54 | 0.00 | 0.56 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.63 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.73 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.73 | — | 0.00 |
| K | 0.27 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |