open source audio identification
MusicBrainz recording
The Magic Tree
London Symphony Orchestra, John Williams
3:35
e8638aea-a571-40b2-8d0a-754e35f20e0b
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
382
linking them to it
Fingerprints
20
distinct audio files
Duration
3:24–5:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
eca74240-3a0a-4a2f-936a-92df1e3a534e
Also linked to
Mos Eisley Spaceport by London Symphony Orchestra, John Williams
|
5 | 3:33–3:34 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
33696a97-a9e0-4c9d-8e33-be6ca0c7363b
Also linked to
The Magic Tree by John Williams & London Symphony Orchestra, Han Solo and the Princess by London Symphony Orchestra, John Williams
|
2 | 3:35–3:36 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 67e36430-8d55-48e8-ad68-0bf9fd3d1f30 | 2 | 3:36 | ||||||||||||||||||||||||||||||||||||||
| D | 3165ab0a-6dc8-4b5c-bafe-8f507d42cdaa | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||
| E | efe542b4-6207-4ab2-8cae-bac27834fbdd | 1 | 3:49 | ||||||||||||||||||||||||||||||||||||||
| F | f7565eb0-2c77-4fbb-aa98-ba3d7453bced | 1 | 3:34 | ||||||||||||||||||||||||||||||||||||||
| G |
259cf990-ac76-4aad-ab14-b20faba24c14
Also linked to
Main Title / Approaching the Death Star by London Symphony Orchestra, John Williams, Main Title by London Symphony Orchestra, John Williams and
|
5 | 5:18–5:22 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 03682d7c-5c5d-4170-84ff-190878c197c7 | 1 | 3:57 | ||||||||||||||||||||||||||||||||||||||
| I | 40fcdf51-e560-4a11-9e8e-3736f1b82984 | 1 | 3:24 | ||||||||||||||||||||||||||||||||||||||
| J | 3f398915-5987-4c59-b4b9-73af222033f9 | 1 | 3:34 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.67 | 0.00 | 0.00 | 0.97 | 0.75 | 0.00 | 0.99 | 0.00 | 0.00 |
| B | 0.67 | — | 0.00 | 0.00 | 0.66 | 0.55 | 0.00 | 0.67 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.97 | 0.66 | 0.00 | 0.00 | — | 0.75 | 0.00 | 0.98 | 0.00 | 0.00 |
| F | 0.75 | 0.55 | 0.00 | 0.00 | 0.75 | — | 0.00 | 0.75 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.99 | 0.67 | 0.00 | 0.00 | 0.98 | 0.75 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |