open source audio identification
MusicBrainz recording
she’s all i wanna be
Tate McRae
3:27
e860b334-5c4e-4b41-a558-5a7f1bc0c017
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
383
linking them to it
Fingerprints
152
distinct audio files
Duration
3:12–3:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 09702817-b926-41d5-afab-991ca89fcea7 | 3 | 3:26–3:29 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B | 4630dd54-ac35-4a10-ba5f-9566c44739ff | 4 | 3:51–3:56 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
e6a719f3-5b8f-4408-94d8-9d447c7d4faa
Also linked to
Greyhound (radio edit) by Swedish House Mafia, Greyhound by Swedish House Mafia and
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2 | 3:36–3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
64979eaf-9309-4cbc-88c0-908780d774bf
Also linked to
Turn Me On by David Guetta feat. Nicki Minaj, Turn Me On (radio edit) by David Guetta feat. Nicki Minaj and
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26 | 3:15–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
9ac37ffb-b282-4fe1-8592-ea5cf69a3a36
Also linked to
she’s all i wanna be (acoustic) by Tate McRae
|
1 | 3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
b8eb6be0-8979-4d21-a329-77d80b47cca4
Also linked to
Call Me Maybe by Carly Rae Jepsen, Call Me Maybe by Carly Rae Jepsen and
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116 | 3:12–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.