MusicBrainz recording
So Amazing
Luther Vandross
3:32
e82a3655-0ef4-42f4-8af7-e4de261f98df
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
199
linking them to it
Fingerprints
41
distinct audio files
Duration
3:20–4:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
110131b6-32f0-4a16-9485-01b7c3c5a7b3
Also linked to
So Amazing by Luther Vandross
|
7 | 3:27–3:33 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
2a8032bd-02ee-4d81-b887-a4d92af54230
Also linked to
So Amazing by Luther Vandross, So Amazing by Luther Vandross and
|
12 | 3:38–3:45 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | c0e90ec0-3251-4f03-a481-6f94af1d2a9b | 7 | 3:33–3:40 | ||||||||||||||||||||||||||||
| D |
fe060c58-8952-493a-ac9f-2291c718b0fb
Also linked to
So Amazing by Luther Vandross
|
2 | 3:30–3:33 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
09effd87-0732-48b7-9e9b-48924333338d
Also linked to
So Amazing by Luther Vandross
|
3 | 3:25 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
bbb350b3-7876-4cbf-a680-0bc6645feb03
Also linked to
Baby It’s You by JoJo feat. Bow Wow
|
3 | 3:28–3:33 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | bc4f5b0d-4c61-4628-b0c0-fb10577b94b9 | 1 | 3:36 | ||||||||||||||||||||||||||||
| H | a6968b40-ccd8-44ef-a700-6e3caf36099a | 2 | 3:20–3:25 | ||||||||||||||||||||||||||||
| I |
9637e732-cb2a-4334-93a8-15912524fdbb
Also linked to
Inside My Love by Minnie Riperton, Inside My Love by Minnie Riperton
|
4 | 4:40–4:47 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.84 | 0.84 | 0.71 | 0.89 | 0.00 | 0.67 | 0.68 | 0.00 |
| B | 0.84 | — | 0.90 | 0.66 | 0.89 | 0.00 | 0.65 | 0.67 | 0.00 |
| C | 0.84 | 0.90 | — | 0.66 | 0.94 | 0.00 | 0.60 | 0.63 | 0.00 |
| D | 0.71 | 0.66 | 0.66 | — | 0.69 | 0.00 | 0.54 | 0.55 | 0.00 |
| E | 0.89 | 0.89 | 0.94 | 0.69 | — | 0.00 | 0.63 | 0.65 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.67 | 0.65 | 0.60 | 0.54 | 0.63 | 0.00 | — | 0.90 | 0.00 |
| H | 0.68 | 0.67 | 0.63 | 0.55 | 0.65 | 0.00 | 0.90 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |