open source audio identification
MusicBrainz recording
Beautiful Day
U2
4:43
live, 2001‐06‐06; The Fleet Center, Boston, MA, USA
e80929e4-cac8-4b1d-98f7-c371cb5c3cbd
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
448
linking them to it
Fingerprints
22
distinct audio files
Duration
1:26–4:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
71aeb978-81a2-4de6-8db2-1e39ecac31b9
Also linked to
Beautiful Day by U2, Beautiful Day (live from the Fleet Center, Boston, Ma, USA / 2001 / remastered 2020) by U2
|
4 | 4:38–4:40 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
4af217ba-f774-4e4d-bfa9-85a3a814699a
Also linked to
Beautiful Day (live from Farmclub.com) by U2, Beautiful Day by U2
|
3 | 4:46–4:50 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
1dbd5cdc-c7b0-4f36-afe5-2a0f8b9c68b5
Also linked to
Beautiful Day by U2
|
1 | 4:37 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
bb7c7da7-d79f-4a9e-86cb-f7019614fe67
Also linked to
Beautiful Day (2000‐10‐26: Kroq Sessions, Stage 42, Universal Studios, Los Angeles) by U2
|
3 | 4:31–4:34 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
d5a6ef06-bc87-4a29-b76f-0bb007735575
Also linked to
Beautiful Day by U2
|
3 | 4:40–4:46 | ||||||||||||||||||
|
Recordings linked to E
|
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| F | abea9b46-fc3c-4b29-8ae0-8b27917c076f | 1 | 4:34 | ||||||||||||||||||
| G |
88bd85f4-1d0a-42f1-a700-310db5d8567b
Also linked to
Beautiful Day by U2, Beautiful Day (live from Farmclub.com) by U2
|
4 | 4:34–4:41 | ||||||||||||||||||
|
Recordings linked to G
|
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| H | 38b83a8b-5a14-4533-a47f-0c86eecd78dd | 1 | 1:26 | ||||||||||||||||||
| I | dc496077-c2d7-4386-9126-368a10d394ed | 2 | 4:40 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.94 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |