open source audio identification
MusicBrainz recording
My Eyes Have Seen You
The Doors
2:32
40th anniversary mix
e77e3f4b-d005-4091-bba3-c074a2d2ccc7
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
800
linking them to it
Fingerprints
53
distinct audio files
Duration
2:24–2:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9e289713-1a5e-4c40-9628-b202df2e2053
Also linked to
My Eyes Have Seen You by The Doors, My Eyes Have Seen You (5.1 mix) by The Doors and
|
10 | 2:29–2:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
1fb6c429-324c-4d83-a99c-179594233bce
Also linked to
My Eyes Have Seen You by The Doors, My Eyes Have Seen You (mono) by The Doors and
|
30 | 2:25–2:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e1e50c92-f53d-407e-b83b-206729714025
Also linked to
My Eyes Have Seen You by The Doors
|
1 | 2:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
c2ac0636-553a-46f1-9c5f-40d4809e6afe
Also linked to
My Eyes Have Seen You by The Doors, My Eyes Have Seen You (mono) by The Doors
|
9 | 2:24–2:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
fe402d3d-036d-4948-ade5-7861fe6631e2
Also linked to
Whiskey, Mystics and Men (version 1) by The Doors, Whiskey, Mystics and Men by The Doors and
|
2 | 2:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 314c3067-f78c-45d2-9d13-16c74d3fed6c | 1 | 2:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.