open source audio identification
MusicBrainz recording
You Turn the Light On
Kenny Rogers
3:03
e6ff6a6e-d445-4f97-aae3-250cef657933
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
71
linking them to it
Fingerprints
28
distinct audio files
Duration
2:57–3:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 505036f5-bed5-4b53-817e-c97371b1d817 | 4 | 3:02–3:05 | |||||||||||||||||||||||||||||||||||||||||||
| B |
199346d9-26b5-4238-9926-5afa5c35c31b
Also linked to
You Turn the Light On by Kenny Rogers
|
4 | 3:03–3:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
49604e61-6653-46be-81e4-40533044bf10
Also linked to
Turn Me On by Kevin Lyttle, Turn Me On by Kevin Lyttle and
|
13 | 2:59–3:06 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
91d93491-f6c6-4666-8be8-745b32ab3548
Also linked to
Gypsy Bard (The Living Tombstone's Remix) by Sherclop Pones
|
2 | 2:57–3:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 4add0a8e-9dba-421e-a5ce-04b2c6303e6c | 1 | 3:03 | |||||||||||||||||||||||||||||||||||||||||||
| F | c630cf4f-2939-49c3-a3b8-1c713d7ea06a | 1 | 3:00 | |||||||||||||||||||||||||||||||||||||||||||
| G | 39be01f2-aebc-4c6b-96ca-66332e8fee90 | 1 | 3:02 | |||||||||||||||||||||||||||||||||||||||||||
| H | 77fa8b47-18ba-4991-902b-ac11686ff8cb | 1 | 3:03 | |||||||||||||||||||||||||||||||||||||||||||
| I | f52446eb-dfd1-4354-b1fd-2eb76df0f748 | 1 | 3:05 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.35 | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 | 0.45 | 0.62 |
| B | 0.35 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.45 | 0.00 | 0.47 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.39 | 0.48 |
| G | 0.00 | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | 0.39 | 0.00 | — | 0.29 |
| I | 0.62 | 0.47 | 0.00 | 0.00 | 0.00 | 0.48 | 0.00 | 0.29 | — |