open source audio identification
MusicBrainz recording
This Girl Is a Woman Now
Gary Puckett & the Union Gap
3:10
e6f3ec77-32c2-437b-b1c6-a86b1c8fa86d
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
10
linking them to it
Fingerprints
24
distinct audio files
Duration
3:06–3:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
03ab2e8c-1b83-433e-a547-62778da9e5a0
Also linked to
This Girl Is a Woman Now by Gary Puckett & the Union Gap, This Girl Is a Woman Now by Gary Puckett & the Union Gap and
|
15 | 3:06–3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
5451ee57-7734-4049-9efa-8008ea79dec0
Also linked to
This Girl Is a Woman Now by Gary Puckett & the Union Gap, This Girl Is a Woman Now by Gary Puckett & the Union Gap and
|
5 | 3:06–3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
126cb2fb-c944-4db1-8349-bcbec236886e
Also linked to
This Girl Is a Woman Now by Gary Puckett & the Union Gap, Woman, Woman by Gary Puckett & the Union Gap
|
4 | 3:10–3:14 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.