open source audio identification
MusicBrainz recording
Why
Jadakiss feat. Anthony Hamilton
4:00
explicit
e5cdc190-e7a2-4b01-9ef5-c3cd22d80b77
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
446
linking them to it
Fingerprints
52
distinct audio files
Duration
3:46–4:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 0a055459-b752-46c9-95e7-55e82d4ddf0b | 13 | 3:53–4:05 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 910d6f30-044b-4ecc-a707-3b38cfdb392d | 15 | 3:57–4:04 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C | cf344413-a4ff-41bb-8351-d83c6fb39043 | 4 | 3:51 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D | fd083aca-4d03-4e36-9a96-79d750c9f015 | 6 | 3:58–4:04 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
6e6ceff2-7b44-418d-a1de-2f2572e544dd
Also linked to
Why (remix) by Jadakiss feat. Common, Nas & Styles P
|
4 | 3:56–4:03 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | cb10d662-2c27-4b03-9eae-2d45ce2191f6 | 2 | 3:46–3:48 | ||||||||||||||||||||||||||||||||||||||
| G | 20feb6a4-aef8-410e-bbef-777819c169ca | 1 | 3:59 | ||||||||||||||||||||||||||||||||||||||
| H |
d0ebcfd3-627a-40e1-b8b9-57d1a67e92ae
Also linked to
Why? by Jadakiss feat. Anthony Hamilton
|
4 | 4:01–4:06 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 0bba0968-d625-4412-9060-09f4c976b1e6 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||
| J | f15c0355-3f3d-4ad4-b344-0ea3c8a71a21 | 1 | 4:49 | ||||||||||||||||||||||||||||||||||||||
| K | 36bd2bf6-cb4b-4d92-9d63-fe1fedd8c323 | 1 | 3:59 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.63 | 0.00 | 0.64 | 0.00 | 0.00 | 0.61 | 0.00 | 0.00 | 0.31 | 0.55 |
| B | 0.63 | — | 0.00 | 0.56 | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 | 0.40 | 0.47 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.64 | 0.56 | 0.00 | — | 0.00 | 0.00 | 0.55 | 0.20 | 0.00 | 0.25 | 0.47 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.61 | 0.52 | 0.00 | 0.55 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.24 | 0.65 |
| H | 0.00 | 0.00 | 0.00 | 0.20 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.31 | 0.40 | 0.00 | 0.25 | 0.00 | 0.00 | 0.24 | 0.00 | 0.00 | — | 0.24 |
| K | 0.55 | 0.47 | 0.00 | 0.47 | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 | 0.24 | — |